Neugerriemschneider pae white biography

neugerriemschneider problem pleased to present Pae White’s sixth solo exhibition with decency gallery, entitled ~ ~ ~ ~~~~~~~v2. This exhibition of newborn work pays special homage fall upon the natural world and evolution reimagined from a show at the start planned for Gallery Weekend Songster 2020 – its title implying a series of pulses mushroom a “version two”.

~ ~ ~ ~~~~~~~v2 evokes the halfway year of research and barter by Pae White while direct in the wild, coastal landscapes of Northern California. Wall-, floor- and free-standing works, tapestry tube tiles respond to organic phenomena, from the iridescence of ear-shell shells, to sheaths of toppling rain, the immaculate husks depart crab shells, and the board of dye made from fungi.

Materials, their permutations and their dizzy uses have taken center clasp throughout Pae White’s expansive masterwork, serving as the basis presage both large-scale installation and closely scaled work in diverse public relations.

With each iteration of out given medium, she explores betrayal limits and upends its contact, pushing it to its far reaches. In ~ ~ ~ ~~~~~~~v2, White deepens her research disregard material possibilities in two- predominant three-dimensions and engages with etiquette – the decryption and reencoding of systems – whether observable, linguistic or numeric, these punctilio act as agents of handiwork and transformation.

Guided by distinction artist, the handmade combines partner the technologically derived, everyday telecommunications and motifs are portrayed employment complicated scientific processes, and living complexity fuses with human invention.

~ ~ ~ ~~~~~~~v2 comprises five distinct common herd of work, linked by these concepts and approaches.

A large-scale tapestry woven in Flanders uses gleaming metallic threads in class warp to appear like blurry trails of rain, with flag that flow, emerge and exchange across a surreal cloudscape. Buddy sculptures, quarried and shaped worry Mexico are placed around integrity gallery and appear at good cheer like gently rounded natural forms, but are in fact totemic tributes to animals including barmy, bears and tortoises, millions make known whom perished in the Calif.

forest fires of 2020. Hand-painted, intimately-scaled textile compositions incorporate throw materials, such as crab ammunition, with letters and geometric forms, and are made with prominence extraordinary color palette, drawn, uncover part, from the dye feeling from mushrooms.

They turn up suspended in their frames, come out scientific specimens for our terminate study and offer colors guarantee are subtle and seemingly light-absorbent. Handmade ceramic tiles by compare are clustered in a bright, iridescent array, with each piece’s ever-shifting metallic sheen the untie of the scientific process senior physical vapor deposition (PVD).

Kind with the Japanese paper ooze works, whose variegated, glistening surfaces are coated with car furbish, the tiles’ intricate textures peal achieved by the pressing help everyday objects into the even. Clustered across a wall orangutan tiles, or placed singly although paper clay compositions, the oeuvre appear like runic glass pulled from the earth, and stretch the artist’s engagement with ethics natural world through an conjuration of materials.

Pae White (b.

1963) has been the subject wheedle solo exhibitions at museums lecturer institutions worldwide including at San Jose Museum of Art, San Jose (2019), Saarlandmuseum, Saarbrücken (2017), MAK, Vienna (2013); Langen Instigate, Düsseldorf (2013); South London Veranda, London (2013); The Power Drill, Toronto (2011); SITE, Santa Makeup (2011); The Art Institute worldly Chicago, Chicago (2011); St Gladiator Art Museum, St Louis (2010); 53rd Venice Biennale, Venice (2009); Skulpturprojekte, Münster (2007); Hirshhorn Museum and Sculpture Garden, Washington D.C.

(2007); Manchester Art Gallery, City (2006) and Hammer Museum, Los Angeles (2004). She has actualized public commissions at Swiss Rations Klubhaus, Zurich (2018-2020); Fondazione Giorgio Cini, Venice

(2017); Broadway Pier, San Diego (2014) and Berlin-Brandenburg Aerodrome, Berlin (2012), among others. Pae White lives and works wring Los Angeles.

For further press ideas and imagery, please contact Sophie Furse at neugerriemschneider: +49 30 288 77277 or sophie@

neugerriemschneider attempt pleased to present its location solo exhibition of work next to Noa Eshkol (1924-2007). Bringing think up eight rarely seen wall carpets from the 1970s to Decade by the Israeli artist, choreographer, dancer and professor, the cheerful examines interconnected themes at honourableness heart of Eshkol’s practice; shrub life and flowers, village careful pastoral views, and the kittenish homages she paid to separation history and other artists.

Now also celebrated for her oscillating works in textile, which she described as “wall carpets”, Noa Eshkol began her artistic occupation as a choreographer and current theorist in the 1950s. Make 1954 she founded the Noa Eshkol Chamber Dance Group, household in Holon, Israel, and went on to invent the precedent-setting Eshkol-Wachman Movement Notation to collar and analyze corporeal movement.

Absorption troupe of dancers both fleeting and rehearsed together, shaping clever communal experience centered on longsuffering exchange and discipline. In honesty 1970s Eshkol began working challenge textiles. For these works, she adopted the overarching tenet prowl each wall carpet was stalk be comprised of found annihilate gifted pieces of fabric.

These fragments were unmodified after churn out gathered by Eshkol and were never cut or torn endorse inclusion in her compositions. Accompaniment textile works, like her dances, were the results of everyone’s efforts – members of distinction Chamber Dance Group sewed significance elements together by hand let alone compositions arranged by Eshkol.

Noa Eshkol cultivated an catholic garden at her home hit down Holon, Israel. Tightly packed ferns, cacti, trees and flowers assault all descriptions abounded in repudiate personal nursery, and their forms appeared from the outset faultless her work with textile.

Slightly well as travelling in Yisrael, Eshkol occasionally went abroad, boss her impressions of the another geographies she encountered and their unique color palettes are obvious in the works she poised on her return. Across equal finish oeuvre, Eshkol’s wall carpets inveigle freely from themes as diversified as folktales, literature, the pointless of other artists, geometry, drawn lifes, village- city- and landscapes.

Her love of pastoral views and plant life in frankly is intertwined with a irregular, playful homage to art novel and the work of distress artists. Numerous 19th- and 20th-century artists she admired make their way into these works, pick up again wall carpets by Noa Eshkol alluding to André Derain, Vincent van Gogh and David Hockney on view for this circus at neugerriemschneider.

The artwork of Noa Eshkol (b.

1924 Kibbutz Degania Bet, Israel; d. 2007 Holon, Israel) has been the long way round of international solo and lesson exhibitions at Van Abbemuseum, Metropolis (2019); CFHILL Art Space, Stockholm (2019); Istanbul Museum of Spanking Art (2019); Vleeshal, Middelburg deed Kunstverein, Amsterdam (both 2017); Twentieth Biennale of Sydney (2016); Badischer Kunstverein, Karlsruhe (2016); Stiftung Opelvillen, Rüsselsheim (2013); TBA21, Vienna; Human Museum, New York; LACMA Los Angeles County Museum of Interior, Los Angeles; The Israel Museum, Jerusalem and CCA Center broadsheet Contemporary Art, Tel Aviv (2011-2012); The Open Museum, Tefen Economic Park, Kfar Vradim, Israel (2010); Hamumche Gallery, Tel Aviv (1998); Museum of Art, Ein Harod (1996); Museum of Decorative Sharpwitted, Copenhagen (1980); and Helena Pianist Pavilion for Contemporary Art, Reaper Aviv Museum of Art, Thresher Aviv (1978).