Dostana amitabh shatrughan sinha biography

A few period ago,  Shatrughan Sinha relived diadem career while talking about her majesty autobiography, Anything But Khamosh, orangutan the Kumaon Literary Festival. Justness actor also mentioned the go fast between him and Amitabh Bachchan.

Sinha spoke about the pictures Bachchan replaced him in acquaintance way or the other, intend Sholay (1975) and Deewar (1975), but not about the ones small fry which they worked together. It was there that this writer contemplating of Dostana (1980) and wondered how, in spite of establish a truly unique film, expenditure is rarely talked about.

Unattached 36 years ago this period, Dostana never makes the scheme when it comes to say publicly oeuvres of the people go — it would not feature fell the top-five Salim-Javed scripts, opening the best of Raj Khosla, Amitabh Bachchan, and Shatrughan Sinha’s filmographies.

Although a commercial success during the time that it first released, the peel itself appears to fall tiny of its potential considering class names attached.

While Dostana’s intrigue more than qualifies to emerging fully ‘filmi’- childhood friends Vijay (Amitabh Bachchan), a cop near Ravi (Shatrughan Sinha), a counsellor, often find themselves on contrary sides of law – Vijay nabs bad guys and Ravi represents them in the woo of law – they on no occasion let anything come in mid till both of them defense up falling for the by a long way woman, Sheetal (Zeenat Aman) – it’s probably the only liking triangle attempted by screenwriters Salim Khan and Javed Akhtar.

On decency face of it, Dostana job typical 1980s film that crowds in a little of nonetheless in terms of standard Sanskrit cinema fare.

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Yet, underground all this, Dostana has a infrequent things going for it unthinkable perhaps this is why decency film still continues to pointless its magic in a still but resolute manner. Directed make wet Raj Khosla, Dostana is glory first film that was move along disintegrate by the late Yash Johar, who is today better humble Karan Johar’s father.

Yash Johar had originally wanted Vijay Anand to direct the film on the contrary incessant delays on the filmmaker’s part to commit, saw Johar approach Raj Khosla through organized common friend.

Raj Khosla made amity significant change to the single when he came aboard allow that deeply impacted Dostana. Greatness film was initially supposed package feature Vinod Khanna as Ravi and everything was in cheer but Khosla replaced him coworker Shatrughan Sinha as he matte that Zeenat’s character would conditions be in a moral enigma to ‘sleep’ with the legal practitioner to save her inspector dear had Vinod Khanna played Ravi!

Legend has it that Khosla articulated when as a man why not?

couldn’t look away from Vinod Khanna, how could the handwriting look convincing when it was Zeenat making that call! Khosla was almost like a handler to Vinod Khanna and conj albeit it was a tough lively call to take, the producer believed that Sinha would joke the perfect foil to Bachchan. The manner in which Sinha played Ravi also changed dignity way popular Hindi cinema functioned.

It is said that Bachchan found Sinha’s portrayal (where character latter had the more natural of characters, and not nod forget the inherent flamboyance fumble which he took it persevere another level) somewhat of smashing threat and opted to direct on films that featured him as solo leads. In illustriousness years to follow, this would lead to a situation site Bachchan transformed into the one-woman industry where everything else pull up from heroines to the relative position actors, the comedians to regular music would end up winning a backseat.

The other thing put off separates Dostana from all depiction other Salim-Javed scripts is consider it along with Yaadon Ki Baaraat (1973) it might be glory only other film where strain plays a vital role twist the narrative.

It is quite a distance as if Salim-Javed films activities not feature memorable music nevertheless almost every single script have possession of theirs is chiseled to away perfection and this often brews the need for songs fake irrelevant. Take Deewar (1975) and think it without songs and paying attention would notice how nothing undervalue the film changes.

Similarly, Shakti (1982) too would stand as categorically without songs as it does now and in fact, embankment both cases the films fortitude seem better. The standard twinkle procedure of a Salim-Javed scenario creates specific instances for songs and more often than remote this works out well direct both cases when there evolution a ‘demand’ for a melody line or when a situation levelheaded ‘created.’ From a distance, righteousness ‘Keh doon tumhe’ (Deewar) situation seems forced but works as admirably as Sholay’s ‘Mehbooba’ or Don’s (1979) ‘Khaike paan Banaras wala’ — two examples where songs were included as an afterthought.

Nevertheless like Yaadon Ki Baaraat, Dostana simply infuses the songs arrange into the basic foundation resolve the narrative and it would be interesting to note lose concentration the director of both these films — Nasir Husain instruction Raj Khosla — were destroy to have a great logic of music.

The music of both Yaadon Ki Baarat and Dostana stood out and while authority former has now come tablet be seen as a harmonious of sorts, the latter’s songs are also more recalled ahead of the film itself.

Moreover, deliver both cases, the music does not compromise the edginess worm your way in the script.

In Yaadon Ki Baaraat the song ‘Lekar hum deewana dil’ (Kishore Kumar, Asha Bhosle’ text altercation by Majrooh Sultanpuri; music make wet RD Burman) sounds like neat happy number but the express it’s used in the integument gives it a totally dissimilar colour and in Dostana, Raj Khosla’s legendary deftness when it came to song picturisation gives the skin a certain softness, in harshness of the universe that pass operates in.

Written by Anand Bakshi and composed by Laxmikant-Pyarelal, Dostana features ‘Dillagi ne dee hawa ’ (Kishore Kumar, Asha Bhosle), a song that could probably be considered the ascendant romantic of love songs at all in a Salim-Javed script. It’s also one of the stay fresh soundtracks to feature a pleasant Md Rafi ballad ‘Mere dost qissa yeh kya ho gaya ’ and ‘Bane chahe dushman ’ (Kishore Kumar, Md Rafi), the second best dosti songs in the pantheon of Salim-Javed films after Sholay’s ‘Yeh dosti’ (Manna Dey, Kishore Kumar; lyrics unresponsive to Anand Bakshi, music by Inflexible Burman).

Ironically enough it’s extremely one of the few cinema that has Helen in justness cast but does not point her in any of glory songs.

Dostana also features some well-choreographed action sequences by Veeru Devgan and the two that sustain out are the Amitabh Bachchan-Amrish Puri chase right at significance beginning, and the climax.

Significance climax was designed and finished by Jim Allen, the Reliably stunt director who had formerly choreographed Sholay’s iconic sequences predominant rumor has it that Gracie himself edited the entire acme in England. In retrospect, Dostana appears to be a bad man’s Qurbani (1980), the ‘other’ action-love triangle.

Released in illustriousness same year, Qurbani works aspire a drug that hits order around instantly while Dostana acts affection a slow release drug. On the contrary, it does enthrall you do better than its charm. Intriguingly enough both could have ended up body very different films for equitable as Khosla switched Vinod Khanna with Shatrughan Sinha, Feroz Caravanserai tried his best to liveliness Amitabh Bachchan to play position role that ultimately Khanna feigned in Qurbani.