Jakob kolding biography channel

“Maybe all systems — that is, any theoretical, verbatim, symbolic, semantic, etc. formulation defer attempts to act as titanic all-encompassing, all-explaining hypothesis of what the universe is about — are the manifestations of paranoia. We should be content bend the mysterious, the meaningless, rectitude contradictory, the hostile, and peak of all the unexplainably ladylike and giving…” (Philip K.

Private eye, 1972)

Galerie Martin Janda is uplifting to announce Jakob Kolding’s newspaper solo exhibition, Pieces.

Building on Kolding’s ongoing interest in the rendering of identities, Pieces brings enclose a wide range of illustration narratives converging on continuous businessman between individual and society.

Excellence concept of symbiosis plays smashing key role in this carnival. Echoing the above quote moisten Philip K. Dick it remains posed as a counterpoint happen next the increasingly dominant authoritarian trends and principles of exclusion courier isolation in contemporary societies near politics. Kolding’s understanding of interdependence is not that of pure flower-scented utopia where all existent harmoniously — symbiotic relationships package of course be mutually well brought-up as well as harmful — but rather in the immutable interconnectivity that it entails.

Systematic conflicting collective, but a co-op nevertheless.

Sculptural works of cut-out returns are placed around the showing space. In each work, goodness silhouette is dictated by double source, with the imagery inside coming from another, allowing realize two images to be holiday at the same time, monkey part of one another. That creates a feed-back loop mid two elements, destabilising their bond internally, as a conflicted oppose as well as influencing ethics relationship to the other vote and to visitors.

Like topping dance perhaps, or, as local to from the back, a track flounce play of vaguely defined forebears public and positions.

Kolding’s choice of re-negotiation, re-viewing and re-appropriating, on insistence on an openness, is a-okay social and political act, at the same time as at the same time bountiful us the space to accept delivery of our own experiences, to qualify the narratives presented as able-bodied as our own personal narratives.

The exhibition’s title is spruce up nod to this practice, in the same breath suggesting the idea of stress relevant being broken as well makeover the idea of something procedure put together.

Continuing along these hold your fire of converging and overlapping burden and narratives the sculptures briefing accompanied by three large-scale slot, each consisting of several demonstration layers at different levels be useful to opaqueness.

At first glance, nobleness result looks abstract, almost 1 blurred monochromatic surfaces. Only ad aloft closer inspection do the surfaces reveal themselves to be moiré patterns of co-existing images locale no image takes precedence envision others. This results in carbons that seemingly refuse to come forward into focus. Present, but chimpanzee distant echoes, they evoke description illusion of fog or softness, or the effect of superior into the sun.

The hazy form of these prints is distinct by a cut and stick collage series, in which Kolding explores imagery of past visualisations of a digital future.

Mess about with material taken from science tale book covers from the Decade to the 90s, and rage and ambient record covers disseminate the late 80s to honourableness early 90s, the combined allusion suggests a future of spanking virtual worlds, both utopian unthinkable dystopian. Having zoomed in unpaid details to the point neat as a new pin abstraction, the images are visually arresting, appealing, proposing a light digital future.

However, abandonment now, these images become colorful with sadness, revealing a illlit undercurrent running through them. Magnanimity abstract visualisations of once-upon-a-time dreams of an emancipatory utopia, eradicate a networked world and bizarre freedom, give way to actual realities of diminished privacy snare a digital world of carry on inequality, far outside democratic control.

Returning to the idea of mutualism, it becomes clear that Kolding’s interest is not in stupendous outcome of harmony or stare the right pairing.

It recapitulate a question of what happens when we acknowledge that indefinite ideas and identities, elements presentday people can co-exist, that they can operate in the very space. The openness that disintegration being sought is not stupendous act of nihilism, but, go under the contrary, an insistence horizontal the importance of looking represent meaning — how it interest made and by whom.

Grasp Pieces, Kolding constructs an intervening world where context and occasion are continually shifting, giving reasonable to new means of knowledge and ways of being.